1. The Hypocrisy of Disco, Clane Howard, Rating: 4.0
This is an upcoming Fall release from Chronicle Books. I was pleasantly surprised by it - the author recounts a few years of her decidedly non-traditional upbringing in Northern California (think camping in abandoned fields, macrobiotic food, and a complete lack of knowledge of - or access to - basic hygiene). She very accurately captures the language and attitudes of her 13-year-old self. I hope this sells well enough to allow her publish the rest of her story.
2. Confessions of an Economic Hit Man, John Perkins, Rating: 1.0
I hated this book. Finishing it was painful. Perkins clearly has a point to make: if you miss it the first time, don't worry, he'll say it again. And again. And then 10 times more in the next chapter. Basically it goes like this: "What I and other economic hit men do is terrible. We're awful people. We fly to exotic lands first class and hang out with world leaders. Because of our jobs we exploit the people of third world countries. Did I mention that I spent time with world leaders? Let me tell you how cool it was the time I hung out with Fidel Castro." And repeat.
3. The Emperor of Ocean Park, Stephen L. Carter, Rating: 3.2
To enjoy this book it's necessary to forget that the story is a mystery. The writing and characters are quite good, the plot long-winded and at times hard to follow. Once I resigned myself to just being along for the ride, I liked it quite a bit.
4. We Are all Fine Here, Mary Guterson, Rating: 3.9
This is a bitterly funny, slim little book. It's short but packs a surprising amount of emotional impact. The story follows a woman who has a one-time fling with her high school flame, and finds herself pregnant, unsure if the father is her husband or old boyfriend. This isn't chic-lit; the narrator's emotional journey as she approaches the birth is smart, honest, and very real.
5. Fables: 1001 Nights of Snowfall, Bill Willingham, Rating: 3.0
This is a one-off in the Fables series, a self-contained side-plot. The art is stunning, the story itself uneven. If you're a huge Fables fan, check it out, otherwise stick to the main series.
6. Y The Last Man: V. 8, Vaughan & Guerra, Rating: 3.2
I can't tell if I'm just losing my interest in this series, or if the writing is declining. This is fine, slightly formulaic. The plot line is progressing too slowly for my taste - it's time for a major revelation or a new central character.
7. The Bible Unearthed, Israel Finkelstein and Neil Asher Silberman, Rating: 3.0
The subject matter of this book is fascinating: modern archaeological finds, and how they support / don't support stories in the Bible. The treatment is too scholarly - in the hands of a different set of writers, I really think this could be a real eye-opener. Instead, it's dense and extremely hard to digest. It also really should have included pictures to bring the finds to life.
8. In My Father's Court, Isaac Bashevis Singer, Rating: 4.2
Singer has collected his childhood memories in this charming collection. He grew up in an ultra-orthodox home in pre-WWII Warsaw, one of the youngest children of two highly intelligent, devout people. It's a very intimate account, and also quite moving. The upcoming Holocaust is a constant shadow over the characters, but it doesn't interfere with the joy that comes across in many episodes. (As a random aside, Singer also wrote the story that became the movie "Yentl", and won the Nobel Prize in 1978.)
9. Prisoner of Tehran, Marina Nemat, Rating: 3.8
Nemat was imprisoned as a teenager for her political views, one of tens of thousand such prisoners. After two years (and forced marriage to one of her captors), she was freed and eventually able to move to Canada. She buried her memories for nearly twenty years. Although not a natural writer, Nemat has a fascinating story to tell, and very successfully captures the conflicting emotions she's had about her past.
